| Selected
Solo Exhibitions |
| Selected
Group Exhibitions |
| Bookworks |
| Collections |
| Residencies |
| Workshops |
| Selected
Lectures, Presentations, Conferences and Seminars |
| Teaching |
| Awards
and Grants |
| Selected
Catalogue Essays |
| Selected
Book Essays and Articles |
| Selected
Magazine Articles and Reviews (1995 - 2005) |
| |
| |
| |
| |
|
| Selected
Solo Exhibitions |
| |
|
| |
Project:
Infrasense |
| |
|
|
| 2006 |
Galerie Séquence |
Chicoutimi, Canada |
| |
L’Oeil de poisson |
Québec City, Canada |
| |
The Ben Maltz Gallery |
Los Angeles, USA |
| |
Peterborough Digital Arts |
Peterborough, England |
| |
Cartwright Hall Art Gallery
|
Bradford, England |
| 2005 |
Grunt Gallery |
Vancouver, Canada |
| |
Neutral
Ground |
Regina, Canada |
| |
Quartier
éphémère |
Montréal, Canada |
| 2004 |
Kunstencentrum
Vooruit |
Gent, Belgium |
| |
Folly
Gallery |
Lancaster, England |
| |
Subtle
Technologies Festival |
Toronto, Canada |
| |
InterAccesss
Media Arts Centre |
Toronto, Canada |
| |
|
|
| |
Project:
Missing Mass |
|
| |
|
|
| 2006 |
Galerie
Sans Nom |
Moncton, Canada |
| 2005 |
Gallery
44: Centre for Contemporary Photography |
Toronto, Canada |
| 2003 |
Axe
Néo 7 |
Gatineau, Canada |
| |
|
|
| |
Project:
A.D.I.E.U (Architectural Developments In Escape Units)
Working Archive |
| |
|
|
| 2005 |
Gallery
44: Centre for Contemporary Photography |
Toronto, Canada |
| 2003 |
Axe
Néo 7 |
Gatineau, Canada |
| 2001 |
Seven
Degrees Media Centre |
Laguna Beach, USA |
| 2000 |
RMIT
Project Space |
Melbourne, Australia |
| 1999 |
Artcite
|
Windsor , Canada |
| |
|
|
| |
Project:
Poi.n-t (Place of Impact. Net-Transfer) ( #1 –
5) |
| |
|
|
| 2004 |
Raid
Projects |
Los Angeles, USA |
| 2001 |
Galerie
Articule |
Montréal, Canada |
| |
Side
Street Projects |
Los Angeles , USA |
| |
High Street Projects |
Christchurch, NewZealand |
| 2000 |
Blasthaus
|
San Francisco, USA |
| |
|
|
| |
Project:
Autoskinning: Passive Abduction
( #1 – 6) |
| |
|
|
| 2003 |
Axe
Néo 7 |
Gatineau, Canada |
| 2002 |
DiverseWorks |
Houston, USA |
| |
Southern
Exposure |
San Francisco |
| 2001 |
Latitude53 |
Edmonton, Canada |
| |
Canberra
Contemporary Art Space |
Canberra, Australia |
| |
Blue
Oyster Gallery |
Dunedin, New Zealand |
| |
|
|
| |
Project:
Greylands |
| |
|
|
| 2002 |
Tlalnepantla |
Mexico City, Mexico |
| 1999 |
LeBretton
Flats / Artengine |
Ottawa, Canada |
| |
|
|
| |
Project:
Greylands Showroom |
| |
|
|
| 2002 |
Arte
Alameda |
Mexico City, Mexico |
| |
Centro
de la Imagen |
Mexico City, Mexico |
| |
|
|
| |
Project:
Airbag Architecture |
| |
|
|
| 2003 |
Axe
Néo 7 |
Gatineau, Canada |
| 2002 |
DiverseWorks |
Houston, USA |
| 2001 |
Neutral
Ground |
Regina, Canada |
| |
Momenta
Art |
New York City, USA |
| |
Galerie
Clark |
Montréal, Canada |
| |
|
|
| |
Project:
Joyriding in the Land Time Forgot |
| |
|
|
| 2000 |
The
Physics Room |
Christchurch, New Zealand |
| 1999 |
YYZ
Artists’ Outlet |
Toronto, Canada |
| 1998 |
Yorkshire
Sculpture Park |
Wakefield, England |
| |
|
|
| |
Project:
Tower Of C.O.T.I.S |
| |
|
|
| 1999 |
Gertrude
Contemporary Art Spaces |
Melbourne, Australia |
| |
|
|
| |
Project:
Podunk |
| |
|
|
| 1998 |
Albert
Square / Digital Summer |
Manchester, England |
| |
|
|
| |
Project:
Re*Action Hero |
| |
|
|
| 1998 |
Yorkshire
Sculpture Park |
Wakefield, England |
| 1997 |
Galerie
Séquence |
Chicoutimi, Canada |
| |
|
|
| |
Project:
Overnight Delivery |
|
| |
|
|
| 1997 |
Turnpike
Gallery / Annual Programme |
Leigh, England |
| |
|
|
| |
Project:
P.S.I (Passport Sized Interference) |
|
| |
|
|
| 1996 |
The
Ottawa Airport / Gallery 101 |
Ottawa, Canada |
| |
The
Museum of Science and Industry |
Manchester, England |
| |
|
|
| |
Project:
F-USER |
|
| |
|
|
| 1996 |
Galerie
Observatoire 4 |
Montréal, Canada |
| |
Casino
Royale Video Arcade |
Montréal, Canada |
| |
|
|
| |
Project:
Connection Kit |
|
| |
|
|
| 1996 |
The
New Gallery |
Calgary, Canada |
| |
|
|
| |
Project:
Vacancy Kit |
|
| |
|
|
| 1995 |
Galerie
Observatoire 4 |
Montréal, Canada |
| |
|
|
| |
| Selected
Group Exhibitions |
| |
|
|
| |
Project:
Video Arcadia |
|
| |
|
|
| 2004 |
Exhibition: H2O |
Curator: Lothar Schmitz |
| |
The Sam Francis Gallery |
Los Angeles , USA |
| 1998 |
Exhibition:
New Art From Britain |
Curator: The Tate Gallery /
Yorkshire Sculpture Park |
| |
Kunstraum |
Innsbruck, Austria |
| |
|
|
| |
Project:
Autoskinning: Passive Abduction |
|
| |
|
|
| 2002 |
Exhibition:
Events Arquitecture |
Curator: Marti Peran |
| |
Espai
d’Art Contemporain |
Castelló, Spain |
| |
|
|
| |
Project:
Room and Board (mk 1-5) |
|
| |
|
|
| 2002 |
Exhibition: Room and Board |
Curator: BFO Projects |
| |
Forest City Gallery |
London, Canada |
| 2001 |
Exhibition:
Room and Board |
Curator: BFO Projects |
| |
Static
|
Liverpool, England |
| 2001 |
Exhibition: Room and Board |
Curator: BFO Projects |
| |
The Proposition Gallery |
Belfast, Northern Ireland |
| 2001 |
Exhibition:
Room and Board |
Curator: BFO Projects |
| |
The
New Gallery |
Calgary, Canada |
| 2001 |
Exhibition:
Room and Board |
Curator: BFO Projects |
| |
Galerie
Dare-Dare |
Montréal, Canada |
| |
|
|
| |
Project:
Greylands Showroom |
|
| |
|
|
| 2002 |
Exhibition:
La Demeure (The Dwelling) |
Curator: Marie Frazer |
| |
Optica:
Un Centre d’art Contemporain |
Montréal, Canada |
| 2001 |
Exhibition:
Re:Mote |
Curator: Camilla Jackson |
| |
The
Photographers’ Gallery |
London, England |
| 1999 |
Exhibition:
Manifesto (Time Capsule) |
Curator: Experimenta Media
Arts |
| |
Span
Galleries |
Melbourne, Australia |
| |
|
|
| |
Project:
Sukima |
|
| |
|
|
| 2001 |
Exhibition:
Sukima |
Curator: Masato Nakamura |
| |
Command
N |
Tokyo, Japan |
| |
|
|
| |
Project:
No Harmful Side-Effects |
|
| |
|
|
| 2001 |
Exhibition: Through Punk
to Hardpop |
Curated by MAMA Gallery |
| |
MAMA Gallery |
Rotterdam, Holland |
| 2000 |
Exhibition:
No Harmful Side-Effects |
Curated by DX Raiden |
| |
Platform
Gallery |
Melbourne, Australia |
| |
|
|
| |
Project:
Generation #12/26 |
|
| |
|
|
| 2004 |
Exhibition: The Anthology
of Art |
Curated by Jochen Gerz |
| |
Academy of Art / Akademie der
Künste |
Berlin, Germany |
| 2001 |
Exhibition: The Anthology
of Art |
Curated by Jochen Gerz |
| |
www.anthology-of-art.net |
Paris, France |
| |
|
|
| |
Project:
A.D.I.E.U (Architectural Developments In Escape Units)
Working Archive |
| |
|
|
| 1999 |
Exhibition:
Pause |
Curated by S.Murray |
| |
The
Melbourne Biennial |
Melbourne, Australia |
| |
|
|
| |
Project:
C.O.T.I.S. (Cult Of The Inserter Seat) |
|
| |
|
|
| 1998 |
Exhibition:
Art of the Accident |
Curated by Andreas Broeckman
/ V2 |
| |
Dutch
Electronic Art Festival (DEAF) |
Rotterdam, Holland |
| |
Exhibition:
HyperTribes |
Curated by LoveBytes |
| |
The
LoveBytes Digital Art Festival |
Sheffield, England |
| |
|
|
| |
Project:
C.O.T.I.S. Movie |
|
| |
|
|
| 1998 |
Exhibition:
Viruses and Mutations |
Curated by Experimenta Media
Arts |
| |
St.Vincent's
Hospital |
Melbourne, Australia |
| |
|
|
| |
Project:
KIT Homes |
|
| |
|
|
| 1997 |
Exhibition:
Epilogue |
Curated by Mike Stanley |
| |
The
Saints Fisher and More School |
Widnes, England |
| |
|
|
| |
Project:
Bringing it Back Alive |
|
| |
|
|
| 1997 |
Exhibition:
36MC |
Curated by IDEA |
| |
The
Blackwells Building |
Manchester, England |
| |
|
|
| |
Project:
SlideCrash |
|
| |
|
|
| 1996 |
Exhibition: Projections
in Public |
Curated by Karen Atkinson |
| |
Bookshop Window |
Montréal, Canada |
| |
|
|
| |
|
|
| Bookworks |
| |
|
|
| |
Project:
Video Arcadia |
|
| |
|
|
| 1999 |
Commission:
Yorkshire Sculpture Park |
Wakefield, England |
| |
|
|
| |
Project:
Battery Operated |
|
| |
|
|
| 1996 |
Commission: Galerie Articule |
Montréal, Canada |
| |
|
|
| |
|
|
| Collections |
|
| |
|
|
| 2001 |
Seven Degrees Media Centre |
Laguna Beach, USA |
| 1999 |
The Museum of Victoria |
Melbourne, Australia |
| |
|
|
| |
|
|
| Residencies |
|
| |
|
|
| 2003 |
Axe Néo 7 |
Gatineau, Canada |
| 2001 |
SOIL / Neutral Ground Gallery |
Regina, Canada |
| |
Canberra Contemporary Artspace |
Canberra, Australia |
| |
Otago Polytechnic / Artists
at Work |
Dunedin, New Zealand |
| 2000 |
Tasmania University (Intermedia
Art) |
Tasmania, Australia |
| 1998 |
The Yorkshire Sculpture Park |
Wakefield, England |
| 1994 |
La Galerie Arts Technologies |
Montréal, Canada |
| |
|
|
| |
|
|
| Workshops |
|
| |
|
|
| 2005 |
Truck Gallery |
Calgary, Canada |
| |
One day workshop in new media
funding, production and dissemination |
| |
Neutral Ground Gallery |
Regina, Canada |
| |
Robotics in Motion - Two day
workshop for artists doing interactive robotics work |
| 2004 |
Interaccess Media Arts Centre |
Toronto, Canada |
| |
Robotics in Motion - Two day
workshop for artists doing interactive robotics work |
| 2002 |
Univeristy of Québec
and Montréal |
Montréal, Canada |
| |
One day workshop in production
techniques of sound for contemporary art practice |
| 2001 |
Whittier College |
Los Angeles, USA |
| |
Two day workshop in convergent
art practice and theory. Art and Philosophy departments |
| |
|
|
| |
|
|
| Selected
Lectures, Presentations, Conferences and Seminars |
| |
|
|
| 2006 |
University of California at
Davis |
Davis, USA |
| |
Artist presentation: 'Infrasense
: How We Came To Love the Virus' |
| |
University of California at
Santa Cruz |
Santa Cruz, USA |
| |
Artist presentation: 'Infrasense
: How We Came To Love the Virus' |
| |
University of California at
Los Angeles |
Los Angeles, USA |
| |
Artist presentation: 'Infrasense
: How We Came To Love the Virus' |
| |
Whittier College |
Los Angeles, USA |
| |
Artist presentation: 'Infrasense
: How We Came To Love the Virus' |
| |
Claremont Colleges (Pitzer/Scripps) |
Los Angeles, USA |
| |
Artist presentation: 'Infrasense
: How We Came To Love the Virus' |
| |
OTIS College of Art and Design
|
Los Angeles, USA |
| |
Artist presentation: 'Professional
Practice Seminar' |
| |
University of Leeds |
Leeds, UK |
| |
Artist presentation: 'How We
Came To Love The Virus' + 2nd day of studio visits |
| 2005 |
SOIL Media Lab |
Regina, Canada |
| |
20-minute presentation on Telesthesia/Telepistemology
for the ‘Remote’ web conference |
| |
Gallery 44: Centre for Contemporary
Photography |
Toronto, Canada |
| |
Artist presentation: 'Photographic
Memories of KIT Projects' |
| |
Neutral Ground Gallery |
Regina, Canada |
| |
Artist presentation: 'The Development
and Production of the Infrasense Projec't |
| 2004 |
Interaccess/Subtle Technologies
|
Toronto, Canada |
| |
Artist presentation: 'The Development
and Production of the Infrasense Project' |
| |
Kunstencentrum Vooruit |
Gent, Belgium |
| |
Artist presentation:' The Development
and Production of the Infrasense Project' |
| |
Lancaster University |
Lancaster, England |
| |
Keynote speaker on robotics
for the 'People Don’t Open Attachments Anymore'
Conference |
| |
University of California Los
Angeles |
Los Angeles, USA |
| |
Artist presentation: 'Mediated
Intoxication: Steering KIT Projects'. Studio visits |
| |
University of California San
Diego |
San Diego, USA |
| |
Artist presentation: 'Mediated
Intoxication: Steering KIT Projects'. Studio visits |
| |
University of California Santa
Cruz |
Santa Cruz, USA |
| |
Artist presentation: 'Mediated
Intoxication: Steering KIT Projects'. Studio visits |
| |
University of California Santa
Barbara |
Santa Barbara, USA |
| |
Artist presentation: 'Mediated
Intoxication: Steering KIT Projects'. Studio visits |
| |
OTIS School of Art |
Los Angeles, USA |
| |
Artist presentation: 'Mediated
Intoxication: Steering KIT Projects'. Studio visits to
MA students |
| |
OTIS School of Art |
Los Angeles, USA |
| |
Artist presentation: 'Mediated
Intoxication: Steering KIT Projects'. Studio visits to
BA students |
| |
The Sam Francis Gallery |
Los Angeles, USA |
| |
Artist presentation: 'Mediated
Intoxication: Steering KIT Projects' |
| 2002 |
Arte Alemeda |
Mexico City, Mexico |
| |
Artist presentation: 'The Development
and Production of the Greylands Project' |
| |
University of California San
Diego |
San Diego, USA |
| |
Artist presentation: 'Disaster
KIT's' |
| |
Univeristy of Québec
and Montréal |
Montréal, Canada |
| |
Artist presentation : 'A Frequent
History of Sonic Art' |
| 2001 |
The University of Regina Art
dept |
Regina, Canada |
| |
Artist presentation: 'Disaster
KIT's' |
| |
Latitude 53 Gallery |
Edmonton, Canada |
| |
Artist presentation: 'Political
Resistance in Art Practice' |
| |
The Canberra School of Art |
Canberra, Australia |
| |
Artist presentation for the
‘Art Forum’ lecture series: The Spatial Politics
of KIT Projects |
| |
The Auckland City Art Gallery |
Auckland, New Zealand |
| |
Artist Lecture series: 'The
Spatial Politics of KIT Projects' |
| |
Victoria University Architecture
dept |
Wellington, New Zealand |
| |
Artist presentation: 'The Spatial
Politics of KIT Projects' |
| |
Massey University New Media
dept |
Wellington, New Zealand |
| |
Artist presentation: 'The Spatial
Politics of KIT Projects'. Studio visits |
| |
Christchurch Polytechnic Art
dept |
Christchurch, New Zealand |
| |
Artist presentation: 'The Spatial
Politics of KIT Projects'. Studio visits |
| |
Otago Polytechnic Art Theory
dept |
Dunedin, New Zealand |
| |
Artist presentation: 'The Spatial
Politics of KIT Projects'. Studio visits |
| |
Otago Polytechnic Art Theory
dept |
Dunedin, New Zealand |
| |
Lecture for Art, Art Theory
and Philosophy departments: 'Art and Class' |
| |
Otago Polytechnic Art Theory
dept |
Dunedin, New Zealand |
| |
Lecture for Art, Art Theory
and Philosophy departments: 'Political Resistance in Art
Practice' |
| |
Whittier College |
Los Angeles, USA |
| |
Artist presentation: 'Political
Resistance in Art Practice' |
| 2000 |
Swinburne University New Media
dept |
Melbourne, Australia |
| |
Artist presentation: 'Political
Resistance in Art Practice' |
| |
The University of Tasmania |
Tasmania, Australia |
| |
Artist presentation for the
‘Art Forum’ lecture series: 'The Place of
Supermodernism' |
| 1999 |
Command N Gallery |
Tokyo, Japan |
| |
Artist presentation: 'The Sukima
Project: A Hidden Architecture' |
| |
Gallery 101 |
Ottawa, Canada |
| |
Artist presentation: 'The Development
and Production of the Greylands Project' |
| |
Artcite Gallery |
Windsor, Canada |
| |
Artist presentation: 'Recent
KIT Installations' |
| |
Gertrude Contemporary Art Spaces |
Melbourne, Australia |
| |
Artist presentation: 'Recent
KIT Installations' |
|
| 1998 |
RMIT University Architecture
dept |
Melbourne, Australia |
| |
Artist presentation: 'The Place
of Supermodernism' |
| |
Yorkshire Sculpture Park |
Wakefield, England |
| |
Paper presented at the 3-day
conference named 'Sculpture and Landscape' |
| |
Kunstraum |
Innsbruk, Austria |
| |
Artist presentation for the
New Art from Britain exhibition: 'Recent KIT Installations' |
| 1997 |
Manchester Metropolitan University
|
Manchester, England |
| |
Artist presentation: 'KIT Art
and New Technologies' |
| 1996 |
The Museum of Science and Industry
Manchester |
Manchester, England |
| |
Artist presentation and seminar:
'The Production of the P.S.I Project' |
| 1995 |
Galerie Observatoire 4 |
Montréal, Canada |
| |
Artist presentation: 'KIT Art
and New Technologies' |
| |
McGill University |
Montréal, Canada |
| |
Artist presentation : 'KIT
Projects and the Use of Sound' |
| |
Concordia University |
Montréal, Canada |
| |
Artist presentation: 'Communications,
Politics and Dissemination' |
| 1994 |
La Galerie Arts Technologies |
Montréal, Canada |
| |
Artist presentation : 'The
KIT collaboration' |
| |
|
|
| |
|
| Teaching
|
|
| |
|
|
| 2004 |
Whittier College of Arts |
Los Angeles, USA |
| |
Lecturer in residency for one
semester in digital sound and image production/aesthetics |
| 2003 |
Whittier College of Arts |
Los Angeles, USA |
| |
in residency for one semester
in digital sound and image production/aesthetics |
| 2002 |
University of California at
San Diego |
San Diego, USA |
| |
Visiting lecturer for MFA students
in the Media Art department |
| 2001 |
University of Regina |
Regina, USA |
| |
Visiting lecturer for MA students
in the Intermedia section of the Art department |
| |
Otago Polytechnic |
Dunedin, New Zealand |
| |
Lecturer in residency for BA
and MA students in the art and art history departments |
| 2000 |
Swinburne University |
Melbourne, Australia |
| |
Visiting lecturer for 2 semesters
to 1st year students in the Art and New Media department |
| |
University of Tasmania |
Tasmania, Australia |
| |
Lecturer in residency for 2nd
and 3rd year students in the Emedia department |
| 1999 |
Royal Melbourne Institute Technology |
Melbourne, Australia |
| |
Guest lecturer and advisor
to 2nd year BA students in the Architecture department |
| 1998 |
Melbourne University |
Melbourne, Australia |
| |
Guest lecturer for 1 semester
for MA students in the Cultural Studies department |
| 1997 |
Manchester Metropolitan University |
Manchester, England |
| |
Guest lecturer for 3rd year
students in the Art department |
| |
|
|
| |
|
|
| Awards
and Grants |
|
| |
|
|
| 2006 |
Production and Development
grant |
Arts Council of England, England |
| 2005 |
Travel grant |
The British Council, England |
| 2004 |
Touring grant (3 gallery tour) |
Arts Council of England, England |
| |
Production and Development
grant |
Arts Council of England, England |
| 2002 |
Travel grant |
The British Council, England |
| |
Production grant |
North West Arts Board, England |
| 2001 |
RALP Award |
North West Arts Board, England |
| |
Travel grant |
The British Council, England |
| |
Production and Development
grant |
North West Arts Board, England |
| |
Production and Development
grant |
Australian Arts Council, Australia |
| |
Travel grant |
The British Council, Australia |
| |
Travel and Touring grant |
The British Council, New Zealand |
| |
Travel and Production grant |
Centro de la Imagen, Mexico |
| 2000 |
Production and Development
grant |
North West Arts Board, England |
| |
Award for Electronic Art |
Langlois Foundation, Canada |
| |
Travel and Exhibition grant |
The British Council, Japan |
| |
Travel grant |
The British Council, England |
| |
Research grant |
The Canada Council, Canada |
| 1999 |
NAVA project grant |
Pat Corrigan Foundation, Australia |
| |
Production and Presentation
grant |
Melbourne City Council, Australia |
| |
Presentation grant |
Trillium Foundation, Canada |
| |
New Accents Travel grant |
The British Council, Canada |
| |
Production and Presentation
grant |
RMIT University, Australia |
| |
Yearly salary awards for two
interns |
C.H.I.N., Canada |
| |
Production grant |
Cinemedia, Australia |
| |
Research grant |
Australian Arts Council, Australia |
| |
Publication grant |
Ontario Arts Council, Canada |
| |
Travel grant |
The British Council, England |
| 1998 |
Media Publication award |
Arts Council of England, England |
| |
SHIFT New Technologies grant |
North West Arts Board, England |
| |
SHIFT Collaborative Technology
grant |
North West Arts Board, England |
| 1997 |
Travel grant |
The British Council, England |
| |
Travel grant / Report grant |
North West Arts Board, England |
| |
Travel grant |
Telematics / Teleworking, England |
| |
A4E Express grant |
Arts Council of England, England |
| |
Production and Development
grant |
North West Arts Board, England |
| 1996 |
Offsite Project grant |
Galerie Articule, Canada |
| 1995 |
Production and Development
grant |
North West Arts Board, England |
| |
Travel grant |
The British Council, England |
| |
|
|
| |
|
|
| Selected
Catalogue Essays |
|
| |
|
|
| 2005 |
Writer: DX Raiden |
Title: The Theory of Missing
Mass |
| |
Publication: Missing
Mass catalogue |
Gallery
44: Centre for Photography, Toronto, Canada |
| 2004 |
Writer: Bridie Lonie |
Title: Chipped Mesh |
| |
Publication:
Space Invaders |
Blue Oyster Gallery, Dunedin,
New Zealand |
| 2002 |
Writer:
Marti Peran |
Title:
arquitectures per l’esdeveniment |
| |
publication:
arquitecturas para el acontecimiento |
Espai D’Art Contemporani
De Castello, Spain |
| 2001 |
Writer: Camilla Jackson |
Title: Re: mote |
| |
Publication:
Great 39 |
The Photographers Gallery,
London, England |
| |
Writer:
Richard Williams |
Title:
A Ruined Future |
| |
Publication:
Annual Programme 1995-2000 |
The Annual Programme, Manchester,
England |
| |
Writer:
Bridie Lonie |
Title:
Autoskinning : Passive Abduction No.2 |
| |
Publication:
Autoskinning No.2 catalogue |
Canberra Contemporary Art Space,
Canberra, Australia |
| |
Writer:
Michael Morley |
Title:
I used to live in a car |
| |
Publication:
Autoskinning No.1 catalogue |
Otago Polytechnic, Dunedin,
New Zealand |
